Today, since the dismissal of John Galliano, there is no couturier. While the world is waiting for the announcement of the new creative director for the house, Bill Gaytten had very big shoes to fill and had the challenging task of delivering a top notch couture collection. He did his best.
The presentation took place at Musée Rodin and was presented in a smaller scale. The absence of Galliano was felt and there was a curiosity in the air to see what the vision would be for the Fall/Winter 2011 season.
I have to say that the collection is a disappointment. It did not look cohesive. There was a lot of mish mash of textures, shapes, and silhouettes. Definitely the presence of femininity was there including some of the Dior signatures like the rose which was mixed with some of the layering of textures in some of the garments.
Inspirations were Italian designer Ettore Sottsass, Jean Paul Goude, the architecture of Frank Ghery, the Fifties and the Seventies, and Marc Bohan who was a designer for Dior.
Christian Dior Fall Haute Couture
Backstage and Preview
Ball gowns were inspired by roses. Flowing Caftans was the Marc Bohan influence. Some pieces resembled the textures of the buildings that Frank Ghery had created around the world. This collection was quite confusing. The last dress, a textured ball gown inspired by Pierrot, that was worn by Karly Kloss was a bit gimmicky.
At best, this is a couture collection that is made by less known hands which is quite risky and intriguing. It is an indication that the house is continuing to present its couture to keep not only the tradition going but to offer some luxe, one of a kind merchandise to its clients and to the world.
At the end of the presentation Bill Gaytten and first assistant Susanna Venegas gave their bows as the moment approaches to announce the new creative director for the house of Christian Dior.
Bill Gaytten and Susanna Venegas
A New Era begins.
Christian Dior Haute Couture