Alexis Mabille is now an official Paris couture house. He celebrated by creating a venue in bubble gum pink that will match up with the frothy designs he sent down the runway. The show opened with a sheer pink chiffon blouse that had white sleeves and a pink peplum that was quite a froufrou paired with narrow pink razimir pants.
There was netting throughout from a white flirty cocktail dress layered in a dotted veil to a couple of dresses that had curtain like Neoprine mesh that were sweeping the floor. Some of the dresses had some bows and flowers on the shoulders that were just not the right touches.
The only look that was the strongest was a black belted tuxedo dress that was cut away in the front that revealed plenty of leg. Why couldn't Mabille create more looks like that?
I do like Alexis Mabille's sense of whimsy but this time it made me raise an eyebrow and made me go through his collection fast!
The fall couture showing of Alexis Mabille followed after Raf Simon's much anticipated debut at ChristianDior. That is a tough act to follow. At Dior the collection was a much stripped down modernity. At Alexis Mabille an opulent and glamorous line up was unveiled at the Shangri-La Hotel. The gowns were inspired by precious jewels and were made of silky velvets, metallic lace, stretch sequins fabric and lames in beautiful rich shades of emerald, garnet, tanzanite - and some were sprinkled with fabulous Swarofsky crystals for the extra bling.
The lamédresses looked like sheets of iridescent foil sculpted onto the body giving a very shiny a sense of young kitsch. The Hollywood-like silhouettes would have been fitting for classic stars like Bette Davis, Marlene Dietrich, or Carole Lombard.
Beautiful red and black crepe gowns featured beautiful cowl backs, a beaded silver gown had a fragile touch of a midnight blue sheath over it and the nude color finale gown gave a beautiful whisper of subtle sex appeal with a touch of sparkle under a layer of tulle.
I like that Mabille takes risks in silhouettes, fabric choice, and details. The outcome is always charming. Just like him!
At the Musee Boudelle in Paris, a rainbow of flowers paraded in couture ensembles designed by Alexis Mabille that were the extended expression of his aesthetic and view of haute couture. It had everything from beading to embroidery and intricate pattern making and cutting in the collection. As Mabille continues to evolve in couture, there is always the noticeable gimmick he does every season. This time it was with the humongous flowers on the top of models' heads and the painted faces to match the color of the flower or outfit. This is part of the Mabille charm, though. There are some pieces to pick and choose from and they have some special touches on each one. There is something like this always expected from Mabille. This season one can pick a color. Enjoy.
Alex Mabille presented his collection of exotic creatures at the Téâtre du Châlet. Based on Jean de la Fontaine's animal fables, these confections were beautiful, but some just missed the mark. I enjoyed the beautiful Ant made in black silk crepe with slits on the sides baring sexy legs, her rival the Grasshoper in a fitted dress of laméand brown lace with an irredescent bodice and the Black Wolf in black velvet with Swarofsy crystals down along the arms. The Horse came out with long fringe, bunched, to form a bustier tied in the back to form a tail for the train.
One of the most elegant and simplest was the Magpie that was a black swallow tail bolero coat over a white strapless silke crepe column.
While Mabille held everything together with his imagination there were some curses that could have been edited out. The Swan in mustard yellow leggings under tattered white organza, the taffeta and origami silk Raven and the green Frog ball gown would all have me running out of the forest for my life.
Fall Haute Couture 2011
Alexis Mabille is doing better and he did his best in this collection which demonstrated that this was a display of more of what he is capable of. I still think his designs are charming and that he is getting better at adding an allure of unique charm in his one of a kind collections.
I know. I know.......
You are probably thinking why I am writing about the Spring Haute Couture Collections right now. I just could not resist. I know it is old news for some, but why not indulge in the world of Couture as Spring unfolds in front of us? The leaves and flowers are blooming like crazy and I am sure that people have already begun to wear their couture. I figured, why not have fun and enjoy writing about the Haute Couture Collections of 2011? Besides, since I started this blog in April, just weeks after the couture shows, I did not have the chance to write about them and have fun doing it! I hope you all have an itch to want to escape into the world of Haute Couture just for the time being.
Alexis Mabille
The first Haute Couture Collection I wanted to write about is that of Alexis Mabille.
His concept this spring season is all about mirror images. Each outfit that was made in white had its reflection made in different fabrics and colors. Mabille is a wonderful young designer who created a collection that had a subtle psychological story to tell through his simple and elegant designs. In this case, the light and the dark, or shall I say the colorful.
One thing for sure is that we all have a light and dark, and yes, a colorful side to ourselves. The trick is to embrace all of it and to love all of it. And in this collection there is so much to embrace. The elegant dresses are cut and draped with obvious precision. The lace, the bows, the fine embroidery and beading were details to add special touches to the designs. Even though the designs looked beautifully simple, I know that there is no doubt that there was a lot of technical thought and effort used to create this charming collection.
Take a look.